New Media Contracts

Please be sure to visit sagaftra.org/backtowork for the latest guidelines, resources and FAQs on planning for a safe return to production.  

Please submit your application no less than 4-6 weeks before your first date of work, including travel, rehearsal, and principal photography.  Failure to submit a Preliminary Information Form or Signatory Application in a timely manner may result in delays and/or your project not being granted clearance by SAG-AFTRA.

The New Media Agreement covers original and derivative entertainment productions made for initial release on new media platforms.

Becoming a SAG-AFTRA Producer grants you access to the world’s most talented professional actors—and we’ve streamlined the New Media Agreement signatory process.
 

SAG-AFTRA is pleased to announce two new agreements for low budget projects in addition to some updates to existing agreements. These changes will be effective February 1, 2020. More information will be available online shortly.

The first new agreement is the Ultra Low Budget Project Agreement (“UPA”). This will replace the previous Ultra Low Budget Agreement entirely as well as replace the Special New Media Agreement for non-episodic productions budgeted under $300,000. Some highlights of the UPA include:

• Applies to non-episodic content only
• Applies to projects filmed entirely in the United States
• Applies to projects with a maximum budget of $300,000
• Rates for day performers are set at 20% of basic agreement scale* and will increase annually with scale
• Producers no longer have to declare their intended exhibition market and residuals will be based on the initial release of the project

The second new agreement is the Moderate Low Budget Project Agreement (“MPA”). This will replace the previous Modified Low Budget Agreement entirely as well as replace the Special New Media Agreement for non-episodic productions budgeted between $300,000 and $700,000. Some highlights of the MPA include:

• Applies to non-episodic content only
• Applies to projects filmed entirely in the United States
• Applies to projects with a budget greater than $300,000 and a maximum of $700,000
  • Diversity in casting and background actor incentives are available
• Rates for daily and weekly principal performers are set at 35% of basic agreement scale* and will increase annually with scale
• Producers no longer have to declare their intended exhibition market and residuals will be based on the initial release of the project

The Low Budget Agreement will now be called the Low Budget Theatrical Agreement (“LBA”), and rates for daily and weekly principal performers will be set at 65% of basic agreement scale (and will increase annually with scale). The LBA will remain limited to projects with an initial theatrical release, with budgets greater than $700,000 but no more than $2,000,000. A diversity in casting incentive will remain available.

The Special New Media Agreement will remain limited to projects with an initial new media release and will now have four categories. Categories A and B will only apply to episodic content made for new media. Categories C and D will apply to both non-episodic and episodic content made for new media.

• Category A will have day performer rates set at 20% of basic agreement scale* and background actor rates set at 75% of background actor scale. (Rates will increase annually with scale.)
• Category B will have daily and weekly principal performer rates set at 35% of scale* and background actor rates set at 75% of background actor scale. (Rates will increase annually with scale.)
• Category C will have daily and weekly principal performer rates set at 65% of scale and background actor rates set at basic agreement scale.* (Rates will increase annually with scale.)
• Category D will have principal performer and background actor rates set at basic agreement scale. (Rates will increase annually with scale.)

More information will be posted shortly. We look forward to working with you on your next low budget project!

*Stunt coordinators must be covered and paid the rate set forth in Schedules K-I, K-II or K-III of the Codified Basic Agreement that is current at the time of photography