When: 6:30 – 9:30 p.m. Wednesday, March 26, 2014
Where: Phoenix Annex/Seydways Acting Studios (Native Sons Building)
414 Mason Street
4th Floor, Suite 406
San Francisco, CA (Cross streets are Geary and Post)
Directions/Parking: Public transportation is available by BART (Powell Street Station) and Muni. Self-pay parking is available at the Sutter/Stockton or Ellis/O'Farrell garages.
Class Description: This is a hands-on workshop which includes scripted scene work, and will give practical tools for preparing for a film shoot, script analysis during rehearsal, ways of getting off-book quickly, making strong choices for cold reading, finding the tempo of a scene and much more. This workshop is designed to explore the foundations of a practical approach to unlocking the secrets of any script for actors at all levels and will help participants create a foundation for a way of working no matter what one’s approach or training may be.
Note: Class is full.
Class if full. If you have any questions and/or need information please email Vicki Balich at firstname.lastname@example.org.
•Participants will be randomly selected from those who respond, with preference being given to those who have not attended Conservatory events in the past year.
•As a courtesy to members on the waiting list, if you have reserved a space in this workshop and cannot attend, please cancel your reservation by 5 p.m. on Monday, March 24. Failure to do so may result in the inability to attend future workshops.
•There is no charge for this event.
This workshop is only open to paid-up SAG-AFTRA members in good standing – no guests are allowed. Parents/guardians of performers under 18 years old are welcome. Please bring your membership card (paid through April 30, 2014) for admittance.
About Robert Weinapple
Robert Weinapple is a professional actor, director and teacher in the San Francisco Bay Area. On-camera credits include dozens of commercials, industrials and many independent films, as well as guest starring roles on Nash Bridges and Trauma and a featured role in La Mission with Benjamin Bratt. He has also worked at many of the region's major theatres, including the Tony Award-winning Berkeley Repertory Theatre. In 1996 he received a Drama-Logue Award for Principal Performance for his performance in Lady Be Good with 42nd Street Moon. As a teacher he has been a faculty member for eight years with the San Francisco Conservatory of Music and currently heads the San Francisco branch of Seydways Studios, one of San Francisco’s premier acting studios.
Note: This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for the advice of other industry professionals. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.